I’ve been a busy girl today,
popping into the agency for a ‘fitting’ for tomorrow night’s job. I
thought this was an odd request until I saw the outfit – a
silver-fringed thong that ripples and rustles as you walk, white patent
leather boots with precipitous heels and a waist-length pink nylon wig!
I love my wig and fully intend to steal it and then say some bigger
children ran off with it. Still, we all had our photos taken because it
turns out the job offered may not be quite in the bag – apparently we
have to be ‘approved’ by the client and will get a phone call either
tonight or tomorrow morning. Girls who aren’t approved will have their
passports taken away and get bundled into the back of a van. I know
some of the girls a little from previous jobs and it gives me some
confidence that they’re so blasé about the whole thing. One of them, on
learning of the location of the party, took under two minutes with an
internet phone to discover the house sold for £6.95m. She’s a girl
who’ll go far.
Then I headed into the badlands of Dalston to
have my photo taken by Patrick. I’ve done a few jobs with Patrick over
the last 18 months and I really like him. He’s very quiet and
professional and looks surprised when he laughs. It’s mostly been shots
for his portfolio before, usually with a few freebies for D thrown in
at the end. This is the first time I’ve done a commission for someone
else and I’m a bit uncertain about it.
Patrick makes me
peppermint tea and shows me big portfolios of similar pictures he’s
done before. I turn the big glossy pages with wide eyes. The photos are
mostly of a girl called Catherine, who I’ve never met but I’ve seen her
photos around Patrick’s studio. She’s a delicate, slender blonde with
pale, washed-out blue eyes and wide, high cheekbones. I’ve never liked
to ask but I get the impression that at one time she may have been his
girlfriend.
Some of the photos show her handcuffed and
ball-gagged, her eyes wide in mute appeal to the camera. In others she
crawls on the floor, a leather collar around her neck, its lead taut,
held by an unseen hand outside the frame. In one she floats in a bath
of water strewn with flowers, her eyes glazed and staring, a naked
Ophelia. The photos are artistic in composition and execution but
undeniably pornographic. Not so much because of their content but
because of the knowledge that someone is wealthy enough to pay a girl
to crawl around naked for his own amusement.
Patrick shows me
the mask the client has asked me to wear. I try to cover my anxiety
about this by joking that at least he’s got the good taste to want my
face covered up. And Patrick shows me the photo that drew the client’s
attention, one he took a couple of months ago that shows me half
sitting, half lying on a sofa, my legs splayed at awkward angles, my
arms thrown above my head, my face partly cut off by the edge of the
frame. And I can see how he would make the leap from this photo, which
is all limbs and flesh and the dark shadows of armpits and cunt, to a
naked girl masked.
Wrapped in Patrick’s bath robe, its sleeves
rolled up and its hem dragging on the floor, I stand and let him tug
the mask over my head from behind, my hair scraped back off my face and
tucked up inside the mask as he zips it shut. It feels tight and clingy
and claustrophobic. I swallow hard and have a moment’s panic at the way
the leather seems to press up at the underneath of my chin and against
my throat. All sound is muffled as it presses my ears against the sides
of my head and I can feel my breathing, suddenly shallow and rapid, as
Patrick presses shut the Velcro fastening beneath the buckles at my
neck.
He looms into my limited field of vision, smiling
reassuringly. “You see, Velcro for a nice speedy release if you want to
stop. You OK?” I nod and lick my dry lips. “No safe word when I’ve done
everything up, so if you get into trouble just hold up your hand with
your fingers crossed and I’ll get you out.” Then he zipped shut the
mouthpiece and fitted the mask over my eyes, fixing it in place with
press studs at the back of my head. I put my hands to my face and felt
my way around the mask, lightly touching with my fingertips the tiny
triangle of a gap for my nostrils, my breath through them warm and
damp.
Distantly, I heard Patrick say, “When you’re ready…” and
I realised I was trembling as I shrugged off his robe and tossed it
towards him. He took my hand and guided me back onto the sofa where I
sprawled and stretched and arched and spread, gradually, unasked,
exposing myself further, my hands cupping my tits and offering them up
for the camera, my fingers delving between the folds of my cunt as I
held my legs open. Sweat trickled down my face inside the mask as I
wriggled one finger into my arsehole.
Suddenly Patrick said,
“Wait a minute” and I knelt up, puzzled and alert to the sound of him
rummaging in the other room. He came back and took my hand, closing my
fingers around a dildo and, as the sound of his camera started up
again, I flopped back onto the sofa, trailing its tip along my sloppy
slit and sighing as I slowly screwed it in, my knees drawn up as I
gripped its end with both hands, steadily fucking it into my cunt with
a squelch. I drew it out, dripping and suddenly realised I was in
trouble. I held my hand up with my fingers crossed and Patrick fumbled
as he unzipped my mouth. “What is it, are you OK?” I licked my lips
again and kissed the tip of the dildo, gradually sucking it in as
Patrick began taking photos again. I tipped my head right back, my neck
stretched out, and let the dildo slide down my throat, gently pushing
it with one finger tip as my throat bulged. I felt Patrick close by me
now, still snapping away, murmuring “Fucking hell” almost under his
breath.
We paused for a moment and I drank bottled water through
my open zip before nodding to let Patrick do it up again. Taking my
hand, he led me out into the courtyard behind his flat, under cover of
the broken-down veranda that juts out from the back of the building, I
posed again, nipples stiff with cold, against a whitewashed brick wall,
arms and legs spread ready to be frisked, then lying on the concrete
floor, twisted like a murder victim.
When I was too cold to go
on, Patrick led me back indoors and handcuffed my arms behind my back,
stretched around the scaffolding pole that holds his sagging door frame
up. I sat on the floor, my shoulders drawn back and my tits thrust out
as I spread my legs again and listened to Patrick lying on the floor in
front of me to shoot up towards my bowed face.
When I finally
peeled the mask off, my face was red and damp with sweat, my hair half
plastered to my head and half sticking up. Patrick dodged my tossed
cushions and stream of slaps to carry on taking snapshots of me
laughing and yelling at him to stop taking my photo.
By the time
I’d showered and dressed and composed myself, Patrick already had some
of the photos up on the light box and he began showing me how he edited
them and changed the effects. I half listened and gazed at the
pictures, thinking “Look at that girl”.