So, what exactly does the young
woman about town wear for a trip to Spearmint Rhino? I'm channeling
Joan Collins in The Stud so I opt for a dress that originally belonged
to my stepmother in the 1970s, a black silk jersey halter neck with a
skirt split to the thigh. I borrow heated rollers for that Farrah
Fawcett flicked back blow-dry look (and God bless the obituarists for
trying their best with her life and career, but in the end it all came
down to that poster where you could see her nipples through her
t-shirt). I've got lip gloss, I've been to the nail bar to get porn
star acrylics, I'm ready. Actually, I've omitted fake tan, which I'm
expecting to see a lot of tonight. My fashion sense can be a bit skewed
at times, but I draw the line at orange.
So, what do you get
for your money (Jim's money, it was his idea so I made him pay)?
Leopardskin carpet, marble effect ceilings, huge gilded-frame portrait
photos of the girls, who all have made-up porn names like Nicolette,
Carmen and Caprice. So far, so Michael Jackson. The girls themselves
are a bit...how can I put this without sounding unpleasantly like Heat
magazine...they're quite sturdy. Some of that is an optical illusion
caused by the amount of surgical enhancement on offer and I suppose the
rest can be explained away by the fact that England is normally a cold
country and it's important to eat plenty of pies to keep warm. Oh, I
sound horrible and I don't mean to. What they actually are is a
perfectly normal, healthy size, it's just that I imagined there'd be
pressure on them to be whippet thin, so I suppose the fact that there
isn't should be celebrated. The other notable thing about the girls is
how they can't really dance. They swing around their poles, bend over
with their legs spread, wiggle their bums, crouch on all fours and some
of it is approximately in time with the blaring R&B but there's
nothing approaching elegance or choreography. I sit there thinking, "I
could do that" just as Jim leans across and whispers "You could do
that".
I'm far from the only woman in the audience, there seem
to be quite a few couples or pairs of couples sitting, as we are, in
club chairs round little tables with lights in the middle, clustered
around raised podiums. There are also some big, loud, drunk groups of
men, probably stag parties. One of these sends across a note inviting
me to come and sit with them. In fact there's a constant interruption
of girls coming to sit at our table, how are we enjoying the show,
she's only doing it to work her way through university, oh look here's
the waitress, would you like to buy the lady a drink, no thank you we
wouldn't, goodbye. I'm reminded of visiting Pisa, where it was
impossible to sit at a cafe table anywhere within spitting distance of
the Piazza dei Miracoli without North African students putting
soapstone elephants on your table, which they would then come back and
try to sell you for only €15. There's a similar hard sell to visit the
private booths, which Jim keeps batting away. I'm conscious that this
is something he might actually want to do but feels a bit inhibited by
my presence. "No, it's not that exactly, I just haven't seen a girl I'd
really like to ask."
So we have some more over-priced drinks
and watch some more girls from Essex take their bikini tops off and
wave their bits about. I become curious about the effect this is having
on Jim and, drawn to it like I would be drawn to a big red button
labelled 'do not press', I reach across under the table and rest my
hand lightly on his cock. To be honest, he only had a semi, but it
gives a twitch and stiffens, just as Jim gives a twitch and spills his
drink.
"For God's sake, Lucy, I can't take you anywhere!"
"Sorry, I was just curious about whether you had a hard on."
"Well I do now!" he screeched in such an affronted tone that I laughed until my £7.50 Coca Cola spurted down my nose.
Jim
spots a pretty girl with shoulder-length brown hair and the boobs she
was originally issued with. She catches him looking and comes over, do
we mind if she sits down, how are we enjoying the show, she's only
doing it to work her way through university, oh look here's the
waitress, would you like to buy the lady a drink, no thank you we
wouldn't but we've heard there are private booths...She has dimples and
a lovely smile that goes all the way to her eyes, so I expect she
hasn't been doing this for very long. There is a sliding fee scale,
depending on whether you want a topless dance or a nude one, but she
strips off immediately, not giving us the option. Jim had been holding
my hand as he led me through the tables and he's still holding my hand
as we sit self-consciously watching her, not nervous or anything. What
I would really like to do now is put my hand on his cock again, unzip
it, still watching the girl, who is arching her back against the pole,
holding it above her head as she slides down until she's crouching on
her tiptoes, her knees spread wide, then I'd wrap my fingers round its
shaft and circle its tip with the pad of my thumb until my hand is
dripping with cum. But I suspect there are rules and cameras and I have
a vision of appearing in grainy video footage on Crimewatch, "Have you
seen this woman..."
Afterwards, we walk down the Tottenham
Court Road, looking for a taxi. "So what did you think?" I ask him,
"Would you go again?"
"No, it's only erotic in a perfunctory sort of way, it gets boring very quickly, the best bit was having you with me."
At
home, alone in my bedroom, I experimentally try out my pole. If I
position myself carefully I can see reflections in the wardrobe mirror
and the dressing table. I copy the girl's move, arching my back against
the pole, reaching up behind me to grip it, slowly sliding down, my
split skirt falling open as I crouch and spread my knees. My thighs
ache as I try to push myself up again from that position. I face the
pole, holding tightly with both hands, hook one thigh around it and try
to swing. I lose my grip and land with a huge thump on my bottom, very
glad no one is watching.